{"id":42,"date":"2013-01-29T11:58:24","date_gmt":"2013-01-29T11:58:24","guid":{"rendered":"http:\/\/www.londondada.co.uk\/wordpress\/?page_id=42"},"modified":"2022-11-12T17:02:46","modified_gmt":"2022-11-12T17:02:46","slug":"about-us","status":"publish","type":"page","link":"http:\/\/www.londondada.co.uk\/wordpress\/about-us\/","title":{"rendered":"about"},"content":{"rendered":"
\"Hugo<\/a><\/p>\n

Hugo Ball, 1886 – 1927. Father of the Dada movement.<\/p>\n<\/div>\n

” These humiliating times.<\/em>.. ” – Hugo Ball<\/strong><\/p>\n

” The Dadaists were united by their conviction that the horrors around them, the death and destruction of World War 1, were rooted in outdated bourgeois values that still governed Europe and that societal order, with its inequalities and brutality, needed to be replaced by another, more humane.”<\/p>\n

“Dada is essentially the search for a new morality” – Richard Huelsenbeck<\/p>\n

_________________________________________________________________________________________<\/p>\n

Founded in 1916 at Cabaret Voltaire in Zurich by the German writer, musician philosopher and mystic\u00a0 Hugo Ball, the seminal art movement known as Dada, by 1922 had as its major European hubs Zurich, Paris, Barcelona, Hanover and Berlin – yet\u00a0 curiously no UK\u00a0 Dada expression was ever established, the only artist associated with the original movement to live (briefly) in the UK – Kurt Schwitters<\/strong> – having had his Merz artwork\u00a0 ridiculed and ignored by the perennially-elitist London art establishment of 1945\/6; and perhaps that explains why.<\/p>\n

London Dada<\/strong>, founded by multimedia artist and writer Michael St.Mark in 2005, pioneering the online art gallery genre via 691 ( shadowed by Saatchi Online in 2006); is formally representing the historically missing link in Dada by following in the footsteps of its founder, Hugo Ball, re-invoking his original intention for the Dada movement: vitally-needed political, social and moral perception, invention, fearless criticism and moral-based protest. These gemstone artist qualities are presently sorely in need of expression within British contemporary art and in the spiritual shipwreck that is UK society today.<\/p>\n

Dada<\/strong>, cutting-edge scourge of the establishment and undisputed catalyst for the sea change in art that occurred during the early 20th C. is re-surfacing through its missing jigsaw piece London expression – a 21st century cyber and public art antidote for the hi-jacking, side-tracking and stifling of UK art into a tightly closed shop run by a clique of old school tie elitists who use money as a\u00a0 means of rigging the art market into turning massive personal profits. Heading a network of\u00a0 kowtowing gallery owners, they render contemporary art virtually sterile; reducing the big\u00a0 galleries to little more than purveyors of the the bawdy and the tawdry; selectively promoting through those evergreen guarantors of hype-to-order, the fawning careerworths of the UK arts review media – a harem of hand-picked ‘shock or bore’\u00a0 cash cow artists.<\/p>\n

As against .. ” For us, art is not an end in itself … but it is an opportunity for the true perception and criticism of the times we live in.<\/strong>” – Hugo Ball, founder of DADA, 1916.<\/p>\n

‘True perception and criticism of our times’ – <\/strong>subjects considered almost taboo in UK art today, where rampant cronyism and self-serving politics within the most insidiously entrenched and brazenly divisive class system in the world blocks truth, innovation and free range of expression throughout the arts.<\/p>\n

“ The British (establishment ) are never comfortable with artists who think<\/strong>” –\u00a0 Adrian Hamilton, arts reviewer @ The Independent.<\/p>\n

” The art business is nothing if not an insidious knickerless tart” – <\/strong>Mike von Joel, editor, State<\/em> magazine.<\/p>\n

The London Dada vision beyond the present sorry arts and culture morass of conformist stagnation and stasis, is the instigation of an ‘art spring’ – a 21st C. enlightenment that re-invigorates art with critical social commentary and a new direction that eschews the anachronistic mediocrity and the worn-out cogs of contemporary art.<\/p>\n

London Dada are currently seeking a development patron for the London Dada brand and for the new spacious 691 gallery – an investor who feel passionately about the need for zeitgeist art reflecting current times that addresses moral issues and injustice,\u00a0 that critically engages and communicates rather than superficially entertains, baffles or nauseates; art that re-connects with life, offering fresh perceptions and thought-provoking narratives<\/p>\n

“London Dada<\/strong> – art with perception and protest, free of the establishment straight jacket of enforced conformity”.<\/p>\n

* * * * * *<\/p>\n

\"\"<\/a><\/p>\n

\"P1000798-001\"<\/a><\/p>\n

Conceptual\/experimental multi-discipline artist, writer, photographer and percussionist. Graduate in Art & Graphic Design at University of the Arts, London.\u00a0 Creative consultant & founder of London Dada under the guidance of Hugo Ball’s original principles.
\nIn the tradition of Marcel Duchamp in refusing to accept the standards and practices of an established art system, conventions that are still considered essential to attain fame and financial success: refusing to repeat himself, to develop one recognizable style or to show his work regularly at the large commercial galleries.<\/p>\n

From the mid-late 20th C. onwards, photography has come to be recognized as an art form for its ability to communicate the photographer\u2019s unique point of view and elicit profound emotional and other reactions from viewers. For this reason I prefer to use photography as the<\/em>\u00a0 instant and eminently efficient contemporary means for eliciting and conveying true perception and criticism of our times in art \u2013 Hugo Ball\u2019s very definition of Dada.
\n<\/strong><\/p>\n

Michael St.Mark, London 2014<\/p>\n

To contact the artist;<\/p>\n

email St.Mark@LondonDada.com<\/em><\/p>\n

Re-defining the meaning of art<\/span>
\n” The true artist and Dadaist is a rare astronaut of inner space and perception who eschews the commonly established norms and trends\u00a0 of his times in order to explore hidden worlds and his\/her art works portals of launch, being means through which the viewer may\u00a0 uncover within himself\u00a0 visions and\u00a0 realizations pertaining to the creation of a\u00a0 societal order of a new humanity based on fairness, altruism and enlightenment.<\/p>\n

On the other hand, most current major exhibiting artists and their collector\/ promoters do a disservice to the spirit of art itself, seeming to have\u00a0 little or no capacity to go beyond the surface sensation of things. Therefore they\u00a0 constantly employ new variations of superficial SFX, cheap shot gigantism, pseudo-intellectual appreciations or else new bovine shock tactics in the promotion of their wares in order to continue the deception and exploitation of the art- going public and public at large “<\/p>\n

Michael St.Mark<\/em><\/p>\n

London, 2005<\/p>\n

________________________________________________________________<\/p>\n

London Dada online gallery\/journal<\/a> blog. Vast archive of works from 2005 – present<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

” These humiliating times… ” – Hugo Ball ” The Dadaists were united by their conviction that the horrors around them, the death and destruction of World War 1, were rooted in outdated bourgeois values that still governed Europe and that societal order, with its inequalities and brutality, needed to be replaced by another, more humane.” “Dada is essentially the search for a new morality” – Richard Huelsenbeck _________________________________________________________________________________________ Founded in 1916 at Cabaret Voltaire in Zurich by the German […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.londondada.co.uk\/wordpress\/wp-json\/wp\/v2\/pages\/42"}],"collection":[{"href":"http:\/\/www.londondada.co.uk\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.londondada.co.uk\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.londondada.co.uk\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.londondada.co.uk\/wordpress\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":175,"href":"http:\/\/www.londondada.co.uk\/wordpress\/wp-json\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":2322,"href":"http:\/\/www.londondada.co.uk\/wordpress\/wp-json\/wp\/v2\/pages\/42\/revisions\/2322"}],"wp:attachment":[{"href":"http:\/\/www.londondada.co.uk\/wordpress\/wp-json\/wp\/v2\/media?parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}